Monday, May 16, 2005

Review: Real world Camera Raw with Adobe Photoshop CS by Maricon Williams



Photoshop CS is no doubt the most momentous Photoshop progress which complements digital photographers. Real world Camera Raw with Adobe Photoshop CS discusses exciting new features for general users, web designers, video editors and digital photographers. This book is authored by Bruce Fraser.

Bruce Fraser is a noted author having co-authored the penultimate Photoshop resource book Real World Photoshop from Peachpit Press. He is also a contributing editor for Mac World plus a regular contributor for CreativePro where he wrote his Out of Gamut articles. Fraser is also a co-author of Real World Color Management from Peachpit Press. He has also made a study of human vision and how it relates to reproducible color in photography and photomechanical reproduction. Bruce is a regular speaker and presenter at notable trade shows and conferences as well as Seybold and Thunder Lizards Photoshop Conferences. He has also consulted for an extensive series of major photographic and digital imaging companies.

Adobe Photoshop CS is the new version (Version 8) of Adobe Photoshop. It is a part of the newly announced Adobe Creative Suite which combines new versions of Adobe Photoshop CS with ImageReady CS, Adobe illustrator CS, Adobe InDesign CS, Adobe GoLive CS, Adobe Acrobat 6.0 Professional, and the new "Version Cue" file version manager, which lets you track integrations quickly and locate files easily.

Camera RAW part of Photoshop 7 Adobe Photoshop Camera RAW & JPEG 2000 Plug-in Bundle is now an integrated part of Photoshop CS. This has added substantial power to Photoshop CS. JPEG 2000 delivers superior quality for the same compression ratios. Conversely, since no camera support JPEG 2000, support is available through a separate plug-in that ships with the software.

Depending on the camera brand, Raw may come in different flavors. Adobe Photoshop CS covers most RAW formats available today. However, RAW data may not be always read accurately. For example, the white balance of Nikon Coolpix 5000 images may have unnatural result which is not a case with Nikon Capture 3.5. To fix the white balance, click in a non-specular white area followed by a minor tint adjustment. Supplementary adjustments can be made through the advanced Calibration tab. The Adjust tab controls exposure, shadow, brightness and contrast sliders. Albeit Photoshop CS features now a new Histogram Palette, the RAW dialog box also features live histograms.

Noise reduction is not a problem with Photoshop CS. It has the color noise reduction and luminance smoothing sliders which allow you to reduce colors and luminance noise. Luminance noise should be use with caution because it can lead to an artificial water paint effect. The noise reduction performs very well and preserves the image detail and sharpness.

To remove chromatic aberrations, apply a local desaturation in the corresponding color channels. The Lens tab of the Raw dialog box provides effective ways of eliminating these aberrations.

To have additional knowledge of Camera raw with Adobe Photoshop CS, purchase a copy of this book. It will sure enlighten the dark areas of the subject matter.


About the Author
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How to make a time-lapse video with your digital video camera by Kevin Rockwell



Getting the most out of your digital video camera can mean being able to create some really cool stuff. You just have to step outside the manual a bit and find the cool things you can do with your digital video camera and your editing software.

We have all seen them in a movie or a TV show, those very cool shots where they speed up time and capture a long segment of time and condense it into a very short amount of video. My very favorite example of this technique was an arty movie of many years ago that was called Koyaanisqatsi. In that movie they had some very interesting segments where they did time lapse effects to show driving on a bridge, flowers growing, clouds flying by and so on. Another example is many of the TV news stations nowadays have a camera that captures the days weather and then they process it down to a 20 second clip to show the clouds and weather racing by on screen.

Well this technique is not just a tool in the hands of the movie makers or the big TV stations. You can do this with your digital video camera gear too. I will go into two ways that you can accomplish this effect and get some cool results for your next video project. This one is worth playing around with in order to find the right settings to get the most dramatic effect.

Technique number one is to use the camera itself to do the time lapse recording for you. Almost all digital video cameras have the ability to do an interval recording. What this means in a nutshell is that you tell the camera how long you want to record for and how long in between recordings and it will go on autopilot for you for as long as the battery lasts or the tape runs out. This is what those cameras at the convenience store do, they record a few seconds of motion every 30-60 seconds giving the overall view of the traffic in the store over time.

Now if you want to capture some time lapse in your digital video camera you will need to get into your cameras menu and find Interval Recording (or in my case Int Rec, as I use a Sony PD 150 for my camera) When you select this option you will decide how long of an interval between shots you want and how long to record each time. If you are trying to capture something that takes a long time to occur and in which not much happens quickly you will want to set the interval at around a minute and the record time as short as possible on your camera. An example would be if you wanted to record a day in the life of a flower or the clouds rolling by in the sky. Suppose however that you want to capture an event that has lots of action and occurs over a much shorter time frame. Then you would want to shorten the interval between recordings and increase the time of each recording. So in this case you might record every 15-30 seconds and record up to 2-3 seconds of video each time.

I used this technique to capture an afternoon of work being done by a team of carpenters on my house remodeling project. The result was a flurry of activity as workers raced hither and yon nailing boards, carrying equipment and building walls. I have added it to my photo collection of the project. (Hey I had to live through the project so I might as well have a great record of it for posterity!)

Now suppose you have one of the great software video editing packages on your computer to work with your digital video camera. Now you can do it in post as they say in the business. You can record any length of video you want (subject to the limitations of your tape length) and then import it into your editing program.

Sidebar:

I use Adobe Premiere Pro for my editing jobs, but I have also used Avid DV Express, Final Cut Pro, and others in the non linear editing world. These are all great programs and are very powerful products that can create some very professional looking videos. You dont have to have these products to create your own videos but if you are serious about digital video editing it might be a good idea to take a look at these options.

I digitize my raw video of the scene I am doing time lapse on into my computer (big hard drive, video eats up GBs of space) and then import the clip into my time line. From th3e timeline you can then select the clip with a right click. From there you will be given a menu with options depending on the software you use. Select the option that says duration, speed or something similar. Change the speed of the clip so that time will speed up considerably. If you have an hour of video in the clip and want to shorten it to 2 -5 minutes then you need to increase the speed of the clip to 3 or 4 thousand percent of normal. This will require your software to render the clip at the higher speed and may take some time top process depending on the speed of your computer.

Once you have rendered the video clip at the new speed you will want to play it to see if the movie flows evenly or if you will want to readjust the speed setting to make it better. Sometimes you may want to shorten your raw video and adjust the speed down somewhat in order to get a smooth flow of action. Once you have rendered the clip at the new speed you can now cut and splice it as you see fit with the speeded up action intact. There are some things you will record that might only need a slight speed change, take for instance some digital video of your kids playing sports. Double or triple the speed of the clip and show it to them and you might have them rolling on the floor.

You can also use these techniques to capture the growth of a flower or plant over the course of days or weeks. Simply set you camera in exactly the same place at the same time each day and record an interval that works each day fro however long you want to document. May be you get the seedling just breaking soil and follow it all the way through turning into a full grown plant.

Another interesting idea is to capture the path of the moon across the night sky. Set up your camera on a tripod in a spot that can see the path of the moon for several hours. Set the camera to interval record and put the moon on one side of the frame so that it will pass across the frame as the night passes. This one may require some testing in order to get the exposure and framing right as well as the right interval to record at. Most likely you would want to set the interval as long as you can and the record time as short as you can but do a test run first to see what works.

I cant stress enough that using your digital video camera can be great fun and you can achieve some cool results. Play around and test. You just might find yourself creating some very creative digital video to share with the rest of the world.

About the Author
Kevin Rockwell worked as a network TV cameraman for 20 years shooting news and sports. Now a devoted fan of digital photography and video he works to gather information, tips and news for digital camera users. Oh and he loves to shoot pictures of cool and interesting things all the time.
http://www.great-digital-cameras.com/gdcj.html

How to Take Great Flower Photos by Kelly Paal




I know that many out there want to improve their photography in one aspect. Flower photography. With gardening as popular as it is this shouldnt be a surprise. Flower photography while looking like one of the simplest forms of photography can quickly become one of the most difficult. Here are a few tips for you. (Keeping in mind that basic good photography skills are always used.)

1. Soft diffuse light. Today its very overcast outside, and if there were any flowers in bloom today would be the perfect day for capturing some great images. Soft diffuse light enhances color saturation, so if you wondered how or why pro photographers flower images seem so deep in color this is one of the reasons why. (There are exceptions to this rule. I do some flower photography is bright or dappled sunlight but Im usually trying to get an effect of light passing through the petals.)

2. Slow film speed. 200 speed or less. The slower speed films have greater detail and for flowers youre going to need to get close anyway and you want the nice sharp detail of a slower speed of film. I use 100 speed for my flower photography.

3. Tripod. Use one for this type of photography. Set up your shot, get everything in sharp focus, and then shoot. A tripod will keep your camera from moving on you and allow you to get the sharp detail you will need.

4. Look for great colors, a flower in full bloom next to a bud, and dont shoot on windy days. Keep contrast and color in mind at all times and try different compositions each time you take a shot.

Flower photography can be a lot of fun especially if the flowers are your own.

If you have some specific questions please visit my Photography and Design Forum at: http://kellypaalphotography.com/v-web/bulletin/bb/index.php and post your question there.
About the Author
Copyright 2005 Kelly Paal
Kelly Paal is a Freelance Nature and Landscape Photographer, exhibiting nationally and internationally. She owns her own business Kelly Paal Photography (www.kellypaalphotography.com). She has an educational background in photography, business, and commercial art. She enjoys applying graphic design and photography principles to her web design.