Monday, May 30, 2005

What's Your Right Photo Shade by Maricon Williams



Sometimes photos would appear a little frustrating especially when there is no transparency to match color. The reason to this is that printing companies have been slow in going with the flow to accommodate new images. They often stumbles through their conversions to CMYK which causes irreparable damage to the images.

In the article When Good Color Goes Bad by Mike Davis, it enumerated some tips on how to seize the full potential of your digital images. Davis advised to work with digital photographers who can supply the following:

1. FPO images for you to place in your layout plus the original raw files. These contain the virgin pixel captures straight from high-end digital cameras, prior to any conversion to RGB or any subsequent processing/encoding. You will need someone skilled to handle them, though.

2. Properly tagged RGB tiff images -- again, a skilled operator will be needed for best results.

3. CMYK tiffs prepared by a knowledgeable photographer. When feasible, separations should be prepared from the raw camera files, using the commercial printer's own printing profile settings if available, or at very least using Photoshop's "U.S. Prepress Defaults" with appropriate print environment settings (i.e. coated, uncoated, Web, sheetfed, newsprint, ink density, etc.).

Mike Davis, the author of the said article, is the founder of Colorprep. He specializes in making digital camera color separations look their best, serving printers, graphic designers and photographers. He is fully experienced with color preparation on any sort of printed work, be it adwork for publication, sheetfed commercial work, newsprint publications, as well as for backlit displays, outdoor boards, and the likes. In 1982, he underwent training at E. I. DuPont for direct screen color separations. In 1992 he joined Baltimore service bureau Graphic Detail, Inc. in order to get in on the upcoming digital revolution and say goodbye to rubylith, paste-ups and opaqueing. Lately Mike recognized the coming demise of film in commercial photography and the lack of qualified prepress operators able to bring out the full potential of the new digital camera images. After studying color management from a prepress operator's viewpoint, Mike went solo in 2003. If you want help to achieve excellent colors in you prints, contact Colorprep. He can also be reached by calling (410) 549-5564 or by visiting www.rgbcmyk.net.

Preferably, images should be scaled to your layout and sharpened for the specific print conditions. You may even ask for the full size CMYK or RGB tiffs without the final press sharpening or any significant press gain compensation for later use at other sizes.

To avoid discrepancies, deal only with prepress who understands the basics in color management, hardware calibrated displays and proper working environments. Skilled personnel secure the quality of your photos so youll be assured of your precious memories.

About the Author
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Can It Get Any More Digital? by Nash Ville



Everyone seems to be talking about digital photography because its fun, fast and less costly than we might think. Its almost everywherein printed materials, in the news, and on the net. What makes digital photography a hit? One, digital takes the fear out of photography because it lets us take as many pictures as we want. Two, we can see right away if we got our desired image and delete the pictures we dont like. Three, we can upload and share those pictures with our loved ones using a computer or a mobile phone anytime, anywhere. Four, digital costs less because we dont need films and we dont pay developing fees. Lastly, almost all people such as doctors, scientists, fire fighters, police officers, insurance agents, and real estate agents use digital photography in their work everyday.

In digital photography, Adobe Photoshop allows digital photographers, web and graphic designers to work more efficiently, explore new creative options, and produce the highest quality images for print, web and other media. Its software delivers a comprehensive toolset that helps users to meet any creative or production challenge. Its creative tools help graphic art professionals generate appealing visual effects and stay ahead of the competition. It is no doubt that its very significant to general users, web designers, and even, video editors.

The book, Enhancing Digital Photography with Adobe Photoshop by Chris Orwig, will guide us through the workflow of getting our digital photos from our camera to a computer and then into our hands. We will learn about the basics of taking digital pictures, loading photos to our computer, and using Adobe Photoshop to adjust our images and printing and sharing our images. Truly, this is a great way for new users to get up to speed on digital photography and modify photos using this application. This full color book provides an approachable introduction to Photoshop Elements and offers tips and insights into the vital aspects of photo manipulation. The book will offer the clearest possible route to achieving great images with Photoshop Elements as illustrated with full color images.

Do you have a digital camera, a computer, a printer and an Internet connection? Then, youre set to go digital. But remember, even with this technology, you still need the imaginative idea and the enthusiasm to be entertained. Indeed, Enhancing Digital Photography with Adobe Photoshop is expected to greatly increase the digital imaging skills and creativity of professional photographers, imaging professionals, and enthusiasts. With this book, you can work through the examples or branch out with your own Photoshop ideas. From here, welcome to the brave new world of digital photography!

About the Author
For questions and comments about the Artcile you may contact The Postcard Printing Moderator at 888 888 4211 or visit http://www.mypostcardprinting.com